Saturday, February 28, 2009

The Long Hard Ride of the Free Range Writers

How does a writers group stay together for 20+ years?

Get Lit! is honored to have our guest blogger Buddy Levy reveal his secrets. Festival authors: Mark Steilan, Sam Green, Brandon Schrand, and Brenda Miller will join Buddy to discuss how to design a writers life...where you get the support and the time you need to be successful. That free panel will be at the Spokane Club, Saturday, April 18 at 1pm.

cc from top: Colling Hughes, Lisa Norris, Jane Varley, Kim Barnes

The Long Hard Ride of the Free Range Writers

Part 1--Origins


By Buddy Levy-- blogging for Get Lit!



The thing is, none of us can remember exactly how it all started. That demon Time and Time’s wicked stepsister, the she-devil Memory, have conspired
against agreement on the precise details. But one thing is certain: the Free Range Writers were born in a bar.



And yet, even that claim isn’t unassailable. Better to say our writing
group, which has lasted over twenty years (again, there remains
disagreement as to our date of nascence) and which we now refer to as The
Free Range Writers, began as a core group of aspiring writers who happened
to be teaching college English and/or simultaneously going to graduate
school at the University of Idaho circa 1988, and
as an extension of our course writing, we formed our own weekly workshops
and took them to Moscow’s Garden Lounge, inside the vitals of the historic
Hotel Moscow.

There, in the dim and smoky tavern light, amidst the clink of ice cubes and
the swirl of Tennessee bourbon (or so I like to remember it now—it was more
likely Pabst Blue Ribbon and house Chablis), against the backdrop of frat
boys’ primal monosyllabic mating calls and the grating peal (think fake
fingernails scratching across a Dry Erase board) of acquiescent Sorority
sisters, five intrepid writers—Kim Barnes, Buddy Levy, Jane Varley, Lisa
Norris, and Collin Hughes—met each Monday to talk about, edit, critique,
question, assail and encourage each other’s writing. It is either
circumstantial, coincidental, or intentional that Monday at the Garden Lounge was Blue
Monday, which included a happy hour offering criminally inexpensive hard alcohol.



And we continue to meet--many children and pets and jobs, many
essays and poems and books and a couple of decades later—though now only
once a year.
 The point is that one of us (it must have been Lisa, The
Planner) suggested that we start meeting outside of classes taught and
classes taken, outside of jobs and lives and husbands and wives, and that was all it took: an impetus, a nudging of the stone down the
slope, a swift kick in the collective creative writing ass.

Once we had the outline of a weekly meeting place, a core of writers with
shared commitment, coupled with the expectation of productivity by assigned
deadlines, we were well on our way. Then it was only of matter of whose “turn” it was next week, and the minor detail of writing something you would
be willing to have close and competitive writing associates scrutinize
(verbally, and in pencil and ink) and deconstruct and nurture and sometimes,
though this was rare, suggest be orphaned or abandoned or aborted.



Meeting like that, in those early days of our group, fostered discipline and
devotion, both to the craft and to each other. And it yielded results, not
only in the tangible sense, in books and articles and poems and reviews
published, but by helping us to become writers, supporting our individual
need to live the writer’s life.



For those few golden years when we all lived together in one small college
town, we continued to meet religiously (and indeed, some of us [KIM!!!] even
wrote about religion) once a week, or sometimes once every few weeks, if a
holiday or spring break got in the way. Most importantly, we established a
routine, a pattern, a habit and even a desire to gather. A collective need
to gather. At the start, we were merely writing cohorts, colleagues, and acquaintances, but through our writing group we became much more. We became friends. We became lovers (of the written word, of the story). We became a family.

And when our group—because of graduation and jobs and the like—started to
scatter across and away from the rolling and quilted Palouse (Kim to
LCSC down in Lewiston, Jane and Lisa to Virginia Tech, and Collin and Buddy to Washington State University) we determined not to let our mission, or our writing group, die.

We simply moved it from the bar to the farm.
Note: Don't miss Buddy's reading from Conquistador, Hernan Cortes, King Montezuma, and the Last Stand of the Aztecs along with William Dietrich (The Dakota Cipher) at Auntie's books on Friday, April 17 at 5pm. It should lead to an interesting discussion on historical fiction vs. nonfiction.

Wednesday, February 25, 2009

What's New with You?

Our festival authors are working authors that publish new prose, win awards, and participate in literary events (like the awesome festival we're putting on this year!).

Here's what some of them have been up to lately:

Simon Armitage's translation of Sir Gawain and the Green Knight has been nominated as one of 2008's best books by both the New York Times and the Los Angeles Times. A BBC4 documantary, presented by Armitage, follows Gawain's journey from Camelot to the Green Chapel across the rural landscapes of Wales and England. It will be broadcast in 2009.

Jane Smiley recently wrote an article about Academy Awards recipient Sean Penn for the New York Times Magazine's "The Oscars Issue."

The Twin Cities' Decider, among others, loved Charles Baxter's The Soul Thief. Read their interview with the writer.

The Shanghai Daily agrees with Paul Roberts' The End of Food and says this is also a problem in China.

Phillis Levin and Martha Silano will both have poems published in The Best American Poetry 2009 (edited by David Wagoner, series editor David Lehman) which is due out from Scribner in September. Phillis was also the Guest Poetry Co-editor for the 2009 Pushcart Prize XXXIII Best of the Small Presses and Martha has been nominated for two (!) Pushcarts this year.

Ken Nesbitt's My Hippo Has the Hiccups got glowing reviews from the Poetry for Children blog. The book will be out on April 1.

Brandon Schrand won the The Carter Prize for the Essay for "The Bone Road." The prize is awarded annually to the best essay published in a volume year of Shenandoah.

All of these authors are such an inspiration! Make sure you see them live at the festival.

Monday, February 23, 2009

Getting to Know Get Lit! Authors

Get Lit! is a opportunity for the community to enjoy authors from a wide range of genres, backgrounds, and cultures; and though these authors may share themselves with the audience through their literature, the audience may only capture a glimpse of the great 'inner anecdote' of these writers. So in the interest of understanding and sharing, several of the authors have submitted a questionnaire and these were the telling and rather humorous results:

Buddy Levy
Q: What would you like to be your epitaph?
A: Here Lies Buddy Levy—tell him to get up!

Q: Who are your favorite heroes/heroines of fiction and why?
A: Oh, perhaps the Old Man in Hemingway’s Old Man and the Sea, because of his dogged single-mindedness and perseverance. Writers can learn a lot from his attitude and approach to life.

Charles Baxter
Q: If you could choose what or who to come back as, what would it be?
A: A hedgehog.

Q: Finish the sentence, “If I ruled the world ...“
A: I’d resign immediately.

Q: Which words or phrases do you most overuse?
A: “He looked off into the distance.”

Glenda Burgess
Q: What turns you on creatively, spiritually, emotionally?
A: Insomnia. I learned quite some time ago to keep a pad and pen on the nightstand. Lying awake in the dark, a complete prisoner of circular thoughts, has led to some fascinating break-out attempts by my inner creative.

Q: What would you like to be your epitaph?
A: I am wrestling with two. Having just finished a long manuscript editing cycle, the simple and declarative "STET!" appeals. Then again, so does...."WAIT! Hold the elevator!"

Ken Letko
Q: Can you describe yourself in three words?
A: I love wood.

Q: Do you have a good scar story?
A: I don’t really have a scar story, but when I was about eight years old, my best friend shot out one of my front teeth during a BB gun fight. There was no anger, hatred, or malice in the incident. We were just having a BB gun fight, and I should’ve ducked.

Oliver de la Paz
Q: What is your greatest extravagance?
A: Definitely my music collection. According to iTunes, I have 170 days-worth of music.

Q: Which words or phrases do you most overuse?
A: “Bird.” I have too many birds in my poems.

Laurie Notaro
Q: What is your motto?
A: "I can get it cheaper."

Q: Do you have a good scar story?
A: The scar on my pinky is from a fight I got into with my younger sister when I discovered she had eaten my piece of leftover pizza for lunch. We were in grade school, but her hands had the pinch of a lobster. Brutal. She's still mean to this day.

Martha Silano
Q: What turns you on creatively, spiritually, emotionally?
A:
a. kitschy old books like Chain Saw Savvy and How to Be fit and Healthy at 29
b. when one of my kids asks me a philosophical question ("Does the world end?"); my kids in general
c. the hodge podge of a second hand store
d. various theories/beliefs about the origin of the universe
e. most any nonfiction
f. poorly-translated-into-English restaurant menus
g. the button on my stove that reads, "Stop Time"
h. potentially anything except a beautiful sunset

Q: What natural gift would you like to possess?
A: I don't know if this is natural or not, but I would like to be able to run 8-minute miles without too much pain. It would also be nice to have a knack for learning languages, playing the guitar, and knowing how to sing.

Sherry Jones
Q: What would you like to be your epitaph?
A: "So many books, so little time."

Q: What is your favorite word, and why?
A: "Islamopanderer" is my favorite. Some conservative bloggers intended it as an insult against me for writing The Jewel of Medina, and I love it.

Q: Who are your favorite heroes/heroines in real life (dead or alive) and why?
A: Salman Rushdie, for living, and writing, courageously. Benazir Bhutto, for daring to dream a better world. Hillary Clinton. Oprah Winfrey. Gloria Steinem. A'isha, the protagonist of my first two novels, for defying the constraints of her culture to reach her highest potential.

Jane Smiley
Q: What would be your perfect day?
A: I have one at least three or four times a week. Writing, riding, reading, cooking, eating.

Q: What is your favorite word, and why?
A: My favorite word is "crisp." Don't know why. Because it's delicious, maybe.

Q: Choose three people, dead or alive, to invite to dinner. What would you talk about?
A: Harriet Beacher Stowe, Barack Obama, Oscar Wilde, Emile Zola--I have NO idea what we would talk about. That's why it would be interesting.

Friday, February 20, 2009

10 Best Books of 2008

And the winner is...

They do it in the movies all the time. They pick the best. Sometimes it's arbitrary. Sometimes it's much needed recognition. With the scent of the Oscars in the air this weekend, I thought noting the best books of 2008 would be in order.

Seattle Post Intelligencer beat me to it. John Marshall, their book critic, has named the following his favorite:

OUT STEALING HORSES by Per Petterson
NORTHLINE by Willy Vlautin
APPLES & ORANGES by Marie Brenner
OLIVE KITTERIDGE by Elizabeth Strout
FINAL SALUTE by Jim Sheeler
KNOCKEMSTIFF by Donald Ray Pollock
TRAFFIC by Tom Vanderbilt
THEM by Nathan McCall
THE GEOGRAPHY OF LOVE by Glenda Burgess
THE ENGLISH MAJOR by Jim Harrison

Glenda Burgess...she's one of our 2009 Get Lit! Festival authors!


John had this to say about her latest book: "An unlikely love affair blossoms into an exemplary married and family life in this inspiring memoir by a Spokane writer who previously has written two novels. Even when her husband, Kenneth Grunzweig, develops cancer, they continue to act upon "the instinct to seize a sure and ebullient happiness, or go down trying." What might sound like a two-hankie Hallmark TV movie is elevated into affecting art through Burgess' superb handling of intimate material."

You can come to a reading with local authors Glenda Burgess and Sherry Jones on Saturday, April 18 at 10:30am in the South Hill Library.

Now, while John obviously has very good taste, we'd like to hear your favorites of 2008! Here's the kicker: you can only pick ten!

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