Telling the American Story at the Chase Gallery

The Spokane Arts Commission announces "Telling the American Story: History, Memory, Place, Story, Picture, Space", a group exhibition in conjunction with Eastern Washington University's Get Lit! Festival at the Chase Gallery from March 1 - April 29, 2011.

Some of the featured artists are: Gordon Wilson, Laurie Lamon and John Kuhn, creators of a piece titled, "Things we Throw Away"; Lisa Conger, Darrell Sullens and Stephanie Turner's "Depot"; and Joe Comine, Rosie Comine, Scott Eubanks, James Comine and Simon Miller's film, "The Futility of War and the Letters." Tiffany Patterson, Mark Anderson and Jessie Fountain have created a portrait inspired by the Salish language; Bernadette Vielbig, Tom Davis and Ben Read are working on an intergenerational group portrait; and Norvel Trosst and Zan Agzigian are creating an installation titled, "Dreaming Becomes Reality" which includes three poems, "Memory," "Change," and "Bye, Bye, Lie." The photographs and poems in this piece allude to and reveal the illusion of the American Story sthrough black and white photos with window-blinds between each photo that display poems on each side of the blind that can be flipped and read front and back by viewers using a turn stick. This is a show that seems complicated and it is - one reason this show is a must see!

Augury Books: Editors' Prize in Poetry

Augury Books is an independent press based in New York City. They are proud to announce their inaugural Editors' Prize in Poetry. The reading period will be from March 15 - May 15, 2011 and the winner will receive a $1,000 honorium and publication with Augury Book as well as ten complimentary copies of the book.

Multiple submissions are accepted as long as each manuscript is submitted individually with separate reading fees. All entries will be considered for publication. Submit 40 - 75 pages of poetry and an acknowledgments page. Please do not include a bio. There is a $20 entry fee and a deadline of May 15, 2011.

Sometimes the Story Finds You

Each year we ask some of our festival authors to offer up some wisdom on writing. Suzanne Morgan Williams, author of Bull Rider, shares her thoughts on the writing process as well as the importance of people sharing their stories with each other.

Sometimes the story finds you. I’ve been giving revision workshops lately and the first thing I ask writers is “What is your book really about?” The fact is, during that first draft, I never know and I suspect that’s true for others too. So it’s an important question. Until you answer it, your work can’t sing. What starts out as a conflict, say between a cautious mom and her son who wants to be a bull rider, ends up being about loyalty and empowerment and family resiliency. Oh, and about two brothers – one, Cam, who now doesn’t want to be a bull rider and another, Ben, who was a bull rider until he was blown up by an IED in Iraq.

This was not the story I set out to write when I began Bull Rider. I didn’t want to write about war injuries. But my son-in-law was in the service and the war in Iraq was heating up and I just kept thinking about this other brother in the O’Mara family and what he might be doing if he were a Marine. Cam’s story was changing to include Ben and Ben was demanding equal space on the pages. So that’s what Bull Rider was really about: the consequences and sacrifice of war and the strength of one fictitious family. It just took me a while to realize it.

I think the best books come from the writer’s emotional experience and the questions he’s grappling with if not directly from his or her physical experience. That’s what gives a book heart. That’s when you can answer that question, “What’s your book really about?” And those books can open conversations. They allow others who’ve maybe had that physical experience to access their own emotions. Or they let those who haven’t been through the book’s conflict to practice – what would they do? How would they feel? In the case of Bull Rider, it was also my honor to learn from real stories – from the blogs of wounded soldiers to the stories of my father-in-law who landed at Anzio beach and fought through Italy and Germany during World War II. My husband said his father never talked much about the war and when he finally told me this story in 2006, I understood why. So much loss. “Did you like Italy?” I asked him. “There wasn’t much left to see.” That and the numbers from his unit – 90 percent dead, wounded or missing – pretty much summed it up.

My father-in-law was 86 when we talked. He died last week. I treasure the memories he shared and put them into Bull Rider. But how many years did he not say anything? Who could understand losing nine of every ten of your buddies? What price did he pay to not bring that pain home to his family? The story in Bull Rider found me. I’m not a veteran and I’m not from a military family, although we’ve become one since our daughter’s marriage. I am a good listener. I listened to myself. Then I listened to so many stories. It is my honor to share a little bit of what I learned. I hope it opens a conversation.

For a list of books about the military experience and military families that are good reads for kids aged 7 through high school visit her website and open Veterans, then Books.

If you are interested in hearing more, come to see Suzanne's reading during the Get Lit! Festival at Auntie's Bookstore on April 16 from 1-1:45pm. She is also leading a workshop for ages 10 and up from 9:30-11 am on Saturday at the Riverpoint Campus. Both events are free!

Big Read interview with the Get Lit! Programs Coordinator

How is the Big Read important to our community? Whywas Tim O'Brien's book chosen? What does "thinking outside of the book box" mean? If you are interested in finding out about behind the scenes information for the 2011 Big Read, please check out The Big Read blog, for an insightful interview with Danielle Ward!

For details on all the many events that are currently going on, please visit the NEA website.